Public Ethnomusicology, Education, Archives, & Commerce. An Oxford Handbook of Applied Ethnomusicology, Volume 3

- Views collecting and archiving as a cultural heritage process
- Provides strategies for applied ethnomusicology in the education sector
- Sheds light on disciplinary connections between applied ethnomusicology and public folklore

The seven ethnomusicologists who contributed to this volume discuss the role and impact of applied ethnomusicology in a variety of public and private sectors, including the commercial music industry, archives and collections, public folklore programs, and music education programs at public schools. Public Ethnomusicology, Education, Archives, and Commerce is the third of three paperback volumes derived from the original Oxford Handbook of Applied Ethnomusicology. The Handbook can be understood as an applied ethnomusicology project: as a medium of getting to know the thoughts and experiences of global ethnomusicologists, of enriching general knowledge and understanding about ethnomusicologies and applied ethnomusicologies in various parts of the world, and of inspiring readers to put the accumulated knowledge, understanding, and skills into good use for the betterment of our world.

CONTENIDO:

Part I: An Introduction to Applied Ethnomusicology
Section 1: Applied Ethnomusicology: A Descriptive and Historical Account, by Jeff Todd Titon
Section 2: Applied Ethnomusicology in the Global Arena, by Svanibor Pettan
Section 3: An Introduction to the Chapters, by Jeff Todd Titon and Svanibor Pettan

Part II: Education
Chapter 1: Strategies and Opportunities in the Education Sector for Applied Ethnomusicology, by Susan E. Oehler Herrick
Chapter 2: Sounds Humane: Music and Humanism in the Aga Khan Humanities Project, by John Morgan O'Connell
Chapter 3: Intersections Between Ethnomusicology, Music Education, and Community Music, by Patricia Shehan Campbell and Lee Higgins

Part III: Agencies
Chapter 4: Archives and Applied Ethnomusicology, by Dan Lundberg
Chapter 5: The Applied Ethnomusicologist as Public Folklorist: Ethnomusicological Practices in the Context of a Government Agency in the United States, by Clifford R. Murphy
Chapter 6: Applied Ethnomusicology in China: An Analytical Review of Practice, by Zhang Boyu and Sarah Stanton
Chapter 7: The Problem and Potential of Commerce, by Alan Williams